|Nothing Comes to Nothing||(Doherty, Whitnall)|
Stephen Street (born 29 March 1960) is an English music producer best known for his work with The Smiths in the 1980s, as well as Blur and The Cranberries in the 1990s. Street also collaborated with Morrissey on some of his most popular work after The Smiths broke up, playing instruments and co-writing songs.
One of Street's first jobs as in-house engineer was for a session for the The Smiths's "Heaven Knows I'm Miserable Now". He was well aware of the band and excited by the prospect of engineering the session, saying in a HitQuarters interview, "I’d seen them just shortly beforehand on Top Of The Pops doing ‘This Charming Man’, and like most other people around that time who were into music I was really excited by them." Street says his enthusiasm must have rubbed off on Morrissey and Johnny Marr because they took his name and number. Although not contacted for the subsequent recording "William, It Was Really Nothing", he was asked to engineer their next album, Meat Is Murder, with Morrissey and Marr producing for the first time.
Street produced Shotter's Nation, the second album by Babyshambles. The recording of the album was said to have been a hard process, due to Street's lack of co-operation with Pete Doherty. Doherty learnt to abide by Street's ruling and the rest of the band found the sessions with Street the most productive yet. Street later said in the NME: "Pete wasn't in a very good state for the first couple of weeks of making the record for the reasons that people know about. It was a bit worrying to be honest with you. There were a couple of times I had to fire warning shots across his bow, say 'Listen, you've got to sort yourself out here because if you don't I can't work with you'. I felt like I was going to let down the rest of the band if I walked away from things."
Street also produced Doherty's solo album Grace/Wastelands (2009) and Babyshambles third album, Sequel To The Prequel.
Born59 years, 29.Mar 1960